What I'm getting at is that, after reading the small production company's script (action-packed, but not "funding great"), I gave my script notes and added the whole "keep at it!" pep talk. This is something that every script writer needs as you really feel like your putting your heart and soul on "the operating table". You get looked at and prodded by some very "heavy-lifters" in the film business if you actually want you film to get made. And as much as the script writer liked my advice, he invariably asked "Would like to know your connections as far as film finance." -Asking this question (from where they are at in the production process) is like stating, "Hey, I'm in my first year of training for the Olympics...Do you think I can talk to someone that can fast-track me to Gold?" In so many words, this is basically what I hear.
Here is the Good News and the Bad News. After taking some additional Entertainment Business courses online, I've learned that you can have a project and you can have plan..But most importantly, you must have a business plan that can accurately "project results" in front of a panel of trained http://cdvca.org which is a community capital investment alliance or more metropolitan companies like Creatis Capital (a company I work with) are all teams of savvy (often ex-Wall Street investors) who know hedge-fund managers and people with serious WEALTH.
professionals...Like judges on an Olympic jury. This being said, there are A LOT of alternative investment options (investment capital firms and angels investors) who want to invest in Independent projects, but they have to be novel and more sociologically ideal than "this is my idea...want to fund it?" Companies and site like
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1st Pass of Bad Apple's Business Plan (2014) |
If you want investors to notice you, you have to at least show a kernel of something original enough that that can't imagine making the project happen without you.
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